He then shows how the silhouette is transformed into three dimensions with the addition of minimal light – the highlight.įollowing these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: single-source light double-source light flat, diffused light moonlight and sculptural light. Hogarth begins with the simplist kind of light and shade, showing how a dark silhouette on white paper can communicate form and space. Here is the first book on this essential subject, the product of years of study by one of the world’s great teachers of drawing and an artist of international renown, Burne Hogarth. He has also taught for many years at universities across Asia, the USA, and the UK.Mastery of light and shade – rendered with accuracy and expressive power – is the key to three-dimensional form in drawing and painting. He has worked in the industry as a character animator and visual development artist for companies such as Pixar, DreamWorks, and Sprite Animation Studios. Author Bio: For more than twenty years, Thomas Paul Thesen’s career has been about learning and understanding the complexities of art, animation, and image-making, both in still illustration, drawing, and photography and in the moving image. Presents case studies to assist readers in understanding the process as they progress through this book. Discusses the need for artistic reasoning in character design. Explains how to produce believable characters that express their narrative in the visuals. Closes the gap between praxis and theory in character design. Key Features: Teaches the complexity of composition in the professional character design process. Composition for the 21st 1⁄2 century: Characters in Animation’s goal is to comprehend composition as an artistic tool and as a significant part of the professional character design process. This book is geared toward students however, it is also reader-friendly for professionals. Additionally, complex case studies that assist in explaining the successful use of these concepts in films and animation are included. Emphasis is placed on each aspect and how it affects and is affected by the narrative. This book analyzes in detail the purpose of these character design features and provides examples of their impact. It covers various technical aspects of character design and their artistic applicability. Dynamic Light and Shade is an essential volume for everyone who draws and paints.Ĭomposition for the 21st 1⁄2 century: Characters in Animation focuses on characters and their application in animation, illustration, games, and films. Burne Hogarth illustrates every effect of light and shade with brilliant drawings in pencil, charcoal, carbon, pen and ink, and brush and ink, encouraging the reader to experiment with diverse drawing media. Moving on to more complex lighting effects, Hogarth explains spatial light - how light and shade can create a sense of "near and far" environmental light - the effects of weather, time of day, and the changing of seasons textural light - how light reveals the surface qualities of forms that range from rough stone to silk and satin draperies transparent light - the effects passing through transparent materials like glass and water, and translucent substances like moving water or sailcloth fragmentation light - the disrupted light we see in such subjects as fire, rain, and flying snow radiant light - the intense light we see when we look into the light source itself, which may range from the sun to a candle flame and finally the various kinds of expressive light invented by the artist - such as the symbolic and mystic light of religious art, or the paterns of light and shade that convey a mood or a psychological state. In these chapters Hogarth illustrates the effects of these different kinds of light on a variety of subjects and examines both natural and artificial light sources. Following these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: single-source light double-source light flat, diffused light moonlight and sculptural light. He then shows how the silhouette is transformed into three dimensions with the addition of minimal light - the highlight. Here is the first book on this essential subject, the product of years of study by one of the world's great teachers of drawing and an artist of international renown, Burne Hogarth. Mastery of light and shade - rendered with accuracy and expressive power - is the key to three-dimensional form in drawing and painting.
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